Sunday, August 9, 2015

Fiber Artist Xenobia Bailey is having a very afordable Emergency Artist Proof Print Sell at!!!

Perfect gift for the beginning Art Collector...!!! Order now for this wonderful Holiday gift. 
A Million Thanks and Much Gratitude and Bless "All Ya'll" that has purchased a print from the Xenobia Bailey Emergency Artist Proof Print Sell, I am loving you madly right about now, & feeling your love as you lend your support that's helping me "keep-on-keeping-on" through this temporary challenging moment.
I do plan to put together a crowd funding campaign, as soon as I can find the time to put it together, while I multi task in the middle of this emergency...!!!
So here's a look into my daily grind at the Robert Blackburn Print Making Workshop, making artist test proof prints for this campaign, and tightening up my print making craft at the same time...!!!
Thanks and Blessings to all my Angels Friends and keep passing the word around about the print sell...!!!
 But...!!! The process is extremely challenging and rewarding at the same time...!!

Wednesday, June 18, 2014



All you Righteous, Mind, Body and Soulful Practitioners: Prepare to get your serious Meditation Victory Praise on with this , limited edition, meditation/prayer/yoga/stretch mat, straight out of Harlem U.S.A. Designed by the internationally renowned crochet artist Xenobia Bailey and conceived by her yoga-teaching, lifestyle/sports-enthused niece, Sala McDaniels. 
The “Funky-Chic” crochet image on this inspirational artifact is a vibrant, high-definition printed reproduction of one of Xenobia Bailey’s award-winning fine art crochet works titled, “She-Bop, She-Boom.” 

This image is digitally printed on the mat with safe, sturdy, non-toxic inks, with hand painted, prism-like rays, using permanent, non toxic iridescent paints with a very fine non abrasive glitter, colorfully accenting the Blue Figure and the top and bottom of the background that surrounds the printed crochet image, creating an illuminated affect.
The mat measures in at 73” x 24” x 3/16” and is made of 100% biodegradable recycled rubber and other natural recycled materials. The mat is personally signed and numbered by Xenobia Bailey on the back; The underside has a sturdy grip to the floor.

Considerations: Weighing 7 lbs and comes without a carrying bag, This yoga mat is ideal for very gental use and care in the home sacrad spaces and practicses. 

Consider the weight of the Mat when traveling a long distance to classes on-foot, or biking to and from practice. Additionally, because of the printed and painted surface, this mat is not well-suited for Bikram or other hot yoga classes. 

Take special notice that this sample mat has a over flow paint spot on the upper right had side the accord during the hand painting. 

For maintenance: Take a soft sponge or clothe and soak in a bowl of warm water with a few drops of gentle liquid soap and gently wipe (do not scrub) and rinse the surface and back when ever you feel necessary.

Please be aware that the color of the yoga mat may be different from the color in the image on the computer.

The 7 hot pink wall clamps at the top of yoga mat in the image, are not included with the purchase.

The Yoga Mats are not refundable or replaced if damaged or defaced.

Please exercise safely and use this mat with care. Xenobia Bailey is not responsible for any accidents or injuries occurred during the use of this yoga mat.

Thanks you so very much for your interest and your time.


Wednesday, February 19, 2014

Funk, God, Jazz and Medicine: Black Radical Brooklyn Artist Xenobia Bailey



Weeksville Heritage Center is a multidimensional museum dedicated to preserving the history of the nineteenth-century African-American community of Weeksville, part of the present-day neighborhood of Crown Heights, Brooklyn. Weeksville was an independent free black community and site of self-determination, named for James Weeks, who with a group of other African-American investors acquired the property in 1838 in order to create an intentional landowning community where they could realize full civic, political, and human rights.


Presented by Creative Time and Weeksville Heritage Center,Funk, God, Jazz, and Medicine: Black Radical Brooklyn will include a series of diverse, community-based artist commissions, launching this fall in Brooklyn’s Bedford Stuyvesant, Crown Heights, and Weeksville neighborhoods. The project will comprise works by artists Xenobia Bailey, Simone Leigh, Otabenga Jones & Associates, and Bradford Young, each of whom is collaborating with a local organization. Comprising performances, installations, and events, the commissioned works will build upon the powerful history of Weeksville—founded in 1838 as an independent free black community and site of self-determination—as well as the larger history of Black radical Brooklyn.

                                        ABOUT THE ARTIST XENOBIA BAILEY

Born and raised in Seattle, Washington, Xenobia Bailey studied ethno-musicology at the University of Washington, where she became fascinated by the craftsmanship and sounds of the cultures of Africa, Asia, South America, and India. She later studied Industrial Design at Pratt Institute, in Brooklyn, New York, where she was introduced to lifestyle possibilities through design. Today, the New York City-based Bailey is best known for eclectic crocheted hats, large-scale mandalas, and tents consisting of colorful concentric circles and repeating patterns. Her designs draw influences from Africa, China, and Native American and Eastern philosophies, with undertones of the domestic aesthetic of her mother and other African American rural and urban homemakers, and of the 1960′s and funk visual aesthetic. Many pieces are connected to her ongoing project Paradise Under Reconstruction in the Aesthetic of Funk.

Bailey has been artist-in-residence at Pittsburgh’s Society for Contemporary Craft, at the Studio Museum in Harlem, and the Marie Walsh Sharpe Art Foundation in New York City. She has exhibited at the Studio Museum of Harlem; the New Museum of Contemporary Art, New York City; the High Museum of Art, Atlanta; and the Jersey City Museum. Her work is in the permanent collections at Harlem’s Schomberg Center for Research in Black Culture and Museum of Art and Design, in New York City, and the Allentown Art Museum, Pennsylvania.

Tuesday, December 31, 2013


Many thanks to the dedicated, President and the Director of the Sharjah Art Foundation 
Sheikha Hoor Al-Qasimi (Who is also a practicing Artist), for inviting Curator Shannon Holdin to install her curated exhibit of the dynamics of the unexposed aesthetic of Funk titled: 
Chaos into Clarity: Re-Possessing a Funktioning Utopia
Featuring at work by
Moroccan born photographer and designer: Hassan Haijaj
British Trinidadian filmmaker and sculptor Zak Ove
Seattle, Brooklyn, Harlem USA Fiber Artist Xenobia Bailey
Many thanks to the staff, security guards and everyone in and around the Sharjah Art Foundation for making my artist visit an educational and inspirational experience that will continue to unfold endless tomorrows. 
This is my artist talk to a group of people in Dubai at the Archives... I am talking about the evolution on the under valued and under appreciated aesthetic of Funk that was cultivated by the domestic skills of the African American Homemaker since Emancipation Proclamation.

To farther understand this aesthetic and share it's inspirational properties with the world, there has to be a in-depth research of the African American unassimilated lifestyle and home in the rural and inner cities of North America, by the members of the household.

In the image above I am speaking about African American Painter/Installation artist: Mickalene Thomas use of her mother, and the aesthetic of her mother as her muse by recreating landscapes and interiors of of sitting rooms inspired by her mothers aesthetic.  

"Through elaborate paintings and installations, Mickalene Thomas honors powerful women and constructs luxe interiors with layers of rhinestones, acrylic, and enamel. Engaging inspiration from art historical sources—among them Henri Matisse, Romare Bearden, and Pop Art—Thomas introduces a complex femininity and expands conventional notions of beauty into incisively glamorous territory."
This image may be a little hard to see,... but... this is a photograph of students at a Black A & M (Agricultural & Mechanical) College at the turn of the 19th Century. 

What I am focusing on is, the oversight of the authentic African American aesthetic of Funk in Design, and the absence of the development of a material culture, and written visual design philosophy, for the development and enhancement of homes, businesses and communities.  That comes from the cultural experience and imagination that is a unique cultural contribution from the African American community to humanity.

This is a Artist Talk at The University of Sharjah, College of Fine Arts & Design. Here I am speaking about the migration of the Moors from Spain to the United States before the Atlantic Slave Trade in North America.

This is an example of the early development of the aesthetic of Funk in a African American House Hold. you can see the walls covered with newspaper that is composed into a on gong collage/mural.

Also the quilt on the bed... This is a situation of a homemaker maintaining a harmonious household and not aware of the beautiful ambiance that is created by the composition of the artifacts.
Talking to students after artist talk.

Visitors to the Exhibit at the Sharjah Art Foundation.

Hassan Haijaj's Dynamically Funky Tea Salon, brilliantly made from recycled materials

A view of the stunning "TIME MACHINE" art work by Zak Ove
Closer view of "The Time Machine,
Sistah Paradise barefoot and in full regalia.

Sistah Paradise's Mystic Domain installation.